Quechquemitl – a totally unique Mexican garment

Exhbiti - Museo Textile de Oaxaca

Even thought this exhibit ran four years ago (Spring 2011) at the Museo Textile de Oaxaca, it was a splendid opportunity to see MTO’s superb collection of historical, refined, elaborate, colorful, and precious little shoulder and chest covering garments. Please, don’t call them ponchos! The quech-que-mitl (I’ve broken the Nahua word into syllables) is a garment unique only-to-Mexico and has been in production for easily over two thousand years. The story told is that quechquemitles were first observed historically in temple frescoes and ceramics of the ancient Olmec and Oaxacan cultures and later in codices.

Quechques in Codices

Quechques in Codices

In pre-conquest times it was worn as an upper-body covering by the priestesses and high born women who had access to the most sumptuous textiles. After the conquest this garment became widely used in the indigenous communities who adapted it, embellished it with their sacred symbols and made it their own. Although currently it is seen in only a few communities of central Mexico – Nahuas, Mazahuas, Purepeche, Hustecos, it is thought to have been worn in most villages in central Mexico after the conquest and before the European peasant blouse became common. It was encouraged by the Spanish, so that women would be covered to enter the churches and their group identity could be recognized. It is one of the first garments worn exclusively by women along with the enredo (wrap around and tube skirt) which I will blog on later.

Pre-conquest garments were woven on the back-strap looms and the full web was used. A web could be woven in various widths and lengths specific for enredos (wrap skirts) quechquemitles (capelets)  and manteles (large coverings). These webs were then joined together. To cut a hand woven cloth was to destroy its integrity or soul and spirit that went into its making. I managed to photograph the exhibit on several visits to Museo Textile de Oaxaca and following is a slide show of my favorites. In future posts, I will write about the two areas that I’ve explored that still use the quechquemitl: the Nahua of Cuetzalan, Puebla and the Mazahua of the State of Mexico.

The shortened pronunciation “Quech-que” is acceptable but don’t call it a poncho!! That’s a larger and more blanket-like garment.

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Oaxacan Textiles: Tres Colores, Natural Dyes – Indigo, Cochineal and Caracol

In January/February 2011 at the Museo Arte Popular Oaxaca – in San Bartolo Coyotepec (south of the city of Oaxaca) there was an exhibit of the very best textiles that the state of Oaxaca has to offer. We might even say – the MOST exceptional textiles of the highest quality. These were commissioned and collected by Remigio Maestas, who has been working with 250 indigenous Oaxacan artisans for many years, throughout the state, to encourage and support development and production of fine textiles. The theme of this exhibit was ‘Tres Colores – Indigo, Cochineal and Caracol” since the textiles, which were hand-woven on backstrap looms, demonstrated the natural dyes of the state of Oaxaca. All the textiles; huipiles, some in lienzos (woven strips), garments, shawls were traditional in design – but each artists interpreted her/his traditional textile using the three natural dyes in a very personal and creative way. The outcome was an outstanding exhibit full of beauty and grace and even some surprises! Remigio’s goal is to elevate traditional textiles from artisania (hand-craft) to ART…well demonstrated by this exhibit.

Attached is my YouTube slide show of the exhibit listing the village from which the textile came. I will also provide the artist’s name if you contact me. Enjoy the fine textiles and the Tres Colores de Oaxaca!

If you are in the city of Oaxaca you can visit Remigio’s store Los Baules de Juana Cata inside the entrance to Las Danzantes’ Restaurant on Alcala #403 – 2 – near Santo Domingo church. Also Remigio has a Los Baules in the Museo Texitle de Oaxaca. A wonderful textiles museum shop.